(no subject)
Jan. 29th, 2007 11:18 amI figured I'd get out more, go see some plays, have fun. I signed up to see The Dying Gaul based on the playwright's name alone. Craig Lucas wrote some of my favorite plays that I was fortunate to see premiered at the Berkeley Rep during Sharon Ott's tenure as Artistic Director. OF COURSE the one that I picked to see, via a half-price tix house, turns out to be the Gay Pride feature at a gay theater company featuring a gay-themed play, which is fine, but the play wasn't that good, and it definitely wasn't the milieu I was expecting.
It's about a playwright whose lover has died of AIDS, who becomes involved with both the studio chief who buys the play to make a movie from it and the studio chief's wife, who pretends to be the playwright's dead lover in the Internet chat room where the playwright socially networks. It is perhaps the first play ever produced about "sockpuppeting" on the Internet, an unethical, duplicitous practice widely condemned in adult social networking circles, which is possibly interesting as social history. However, the only female character was a evil, manipulative bitch whose actions are minimally supported by the little character development accorded her, a misogynistic deux ex machina. I couldn't buy that the main character could be that credible, either, and the last act is ridiculous. Lucas definitely is a good story teller with a good ear for dialogue, but this isn't one of his better plays. I would not recommend it except perhaps to someone researching sockpuppeting, or an another example of how dramatically flat two people sitting at a computer typing to each other can be. The acting was strong, however, and the compact stage had clever, multi-use set design.
It's about a playwright whose lover has died of AIDS, who becomes involved with both the studio chief who buys the play to make a movie from it and the studio chief's wife, who pretends to be the playwright's dead lover in the Internet chat room where the playwright socially networks. It is perhaps the first play ever produced about "sockpuppeting" on the Internet, an unethical, duplicitous practice widely condemned in adult social networking circles, which is possibly interesting as social history. However, the only female character was a evil, manipulative bitch whose actions are minimally supported by the little character development accorded her, a misogynistic deux ex machina. I couldn't buy that the main character could be that credible, either, and the last act is ridiculous. Lucas definitely is a good story teller with a good ear for dialogue, but this isn't one of his better plays. I would not recommend it except perhaps to someone researching sockpuppeting, or an another example of how dramatically flat two people sitting at a computer typing to each other can be. The acting was strong, however, and the compact stage had clever, multi-use set design.